WTD: Liuli, formed by a variety of rare metals, artificial crystal as raw materials, fired at a high temperature of more than 1,000 degrees, its colorful, crystal clear, changing magnificent. China’s glaze originated from the earliest Shang and Zhou period of glass technology and glazed pottery technology, in ancient times, glaze for the royal family, symbolizing the power and respect, the “Ming system” contains: the emperor gave the first prize winner of the ornaments is medicinal jade, more than four products to wear. Chinese traditional architecture, glaze is also an important decorative components, usually used in palaces, temples, mausoleums and other important buildings. As recorded in the New Tang Dynasty Book – Southern Barbarians under the biography – Phyu, “there are a hundred temples, glazed glazed tile, wrong gold and silver, Dan color purple 鑛 coated floor, covered with a brocade syringe, the king’s residence is also like it.” The beauty of glaze, existed in the game of light and shadow, flow in the characters of the top of the rhinoceros. It is a reflection of the Oriental’s delicacy, subtlety and subtlety, and is a fusion of wisdom, thought, emotion and art.
Glaze is also known as the green colored gemstone. Cyan is an oriental color. Cyan is one of the “five positive colors” of traditional Chinese colors, signifying the birth of grass and trees, the growth of everything, and vitality. Green is gentle and neutral, and the calm, soft, deep and simple color feeling it conveys has similarities with the ‘middle way’ in Confucian philosophy, which can express the gentle and refined, subtle and introverted gentleman’s style.
Green is derived from the five elements, in the right color of the dignity of the Confucian ritual system of the aesthetic of green, so that “the green color continues to ‘green +’ or ‘green +’ way to infiltrate and integrate into all aspects of Chinese society. The physical properties of the color green and the cultural habits of the Chinese people will probably make “green” forever exist as a symbol of “gentleness,” “calmness,” and “introspection. The symbolism of “green” exists in the daily life and feelings of the Chinese people.
▽琉璃文物 Glazed artifacts
▽古建筑屋顶中的琉璃装饰 Glazed decorations in the roofs of ancient buildings
▽青绿色沁人心脾 Lime green is refreshing
When glaze meets green, this is the origin of the design of glazed courtyard. In the project of Dongnanup and Yangli in Datong ancient city, the designer used glaze as the main element of the space, and a touch of clear and dynamic green color popped out of the ancient city architecture with green bricks and gray tiles, hard texture and square space.
▽古城鸟瞰 Aerial view of the old city
▽位于古城东南的東南邑和阳里 Dongnam-eup and Woyang-ri in the southeast of the old city
Located in the southeast of the ancient city of Datong, Dongnan-eup Hoyangli is a traditional humanistic courtyard residential area. Its exhibition area is located in the southeast corner of the site, a semi-open interface and the largest public courtyard, about 40mx26m courtyard. There is a height difference of more than 4 meters between the east side and the municipal road, and the designer utilizes the interspersed overlapping of squares to combine a stacked waterfall space. It can not only eliminate the height difference, but also is a strong functional and ornamental space, which constitutes the main image interface.
▽方正的空间格局 Square space pattern
The south entrance utilizes staggered steps to dissipate the height difference. On both sides of the steps, green space is stacked to form layers of greenery. As the steps rise, a complete landscape picture of wall, tree, courtyard and water appears in the field of vision. Blue water, blue sky, green bricks and gray tiles, shadows of trees, courtyard in water, this mesmerizing scene constitutes the main landscape picture of the courtyard.
▽主入口 main entrance
▽叠水作为形象界面 Stacking water as an image interface
Here, glaze becomes the absolute protagonist of the space. The water surface paved with glazed tiles reflects a quiet turquoise water courtyard, in which a few canopy-shaded Yuanbao maples are reflected, with blue waves rippling.
▽琉璃亭的昼与夜 Day and Night at the Glazed Pavilion
The color of the bottom of the pool is kiln-varied like glaze, and compared to the neat and uniform green in the water, this uneven and rough-looking color change is more of a tribute to the traditional handmade crafts. For this reason, the designer used a variety of materials to compare the color and texture, and placed them in the water and sunlight for different lighting conditions, which ultimately resulted in a deep ink-like green. The water reflects the light of the sky and the shadows of the trees, presenting a dynamic and swaying beauty.
▽不同材质色彩对比 Color Comparison of Different Materials
▽材料在水中的色彩对比实验 Color contrast experiment of materials in water
On the northwest side of the water courtyard is the entrance of the private house, we use a landscape wall to form the boundary of the space, separating the open and private space. In the middle of the wall, a glazed pavilion is embedded between the two walls, half of the pavilion is inside and half is outside, so that both inside and outside courtyards can share this beautiful picture.
▽雨中的庭院更添翠意 The rain adds a verdant touch to the garden.
▽冬雪中的琉璃院 Liuliyuan in the winter snow
The design of the glazed pavilion originates from the spatial scale and proportion in the classical gardens, and is abstractly expressed by the imaginary structure, which is a superposition of tradition and modernity, and is reflected on the water surface as if melting into it.
The crystalline and moist texture of glaze and the deep jade-like color form a collision and sharp contrast in the green bricks and gray tiles of Datong, making the space no longer dull. Between the rise and fall of each space, it strives to find a complete and unique landscape, refining the square courtyard space pattern of Datong ancient city, and presenting a unique and exquisite glazed light scene within a square inch.
设计团队：李卉 李彦萨 余治富 李淑君 石桂霖 姜雪彤 周震宇 欧键 李理 王玥 于红燕 唐晓娇 游守悦 宋照兵 胡小梅 张书桢 邓玲 庞虹宇
Project Name: Dongnanup-Heyangli, Ancient City of Datong, Shanxi (Demonstration Area)
Project Address: Shanxi Datong Ancient City
Owner: Huaxia Jianghong Holdings
Landscape Design: WTD GROUP
Design Team: Li Hui, Li Yansa, Yu Zhifu, Shi Guilin, Li Shujun, Jiang Xuetong,Zhou,Zhenyu, Ou Jian, Li Li, Wang Yue, Yu Hongyan,Tang Xiaojiao,You Shouyue, Song Zhaobing, Hu Xiaomei, Zhang Shuzhen, Deng Ling, Pang Hongyu
Architectural Design: Chongqing Lianchuang Architectural Planning and Design Co.
Landscape Construction: Luzhou Hongmao Ancient Architecture and Landscape Team
Completion Time: 2023.05
Landscape area: 5500㎡
更多 Read more about: WTD 纬图设计
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