Sayama Lakeside Cemetery Community Hall |Hiroshi Nakamura-卓美

Hiroshi Nakamura & NAP

This cemetery is located in the lush forests of the Sayama hills. The community hall stands midway on a slope above a city. The site enjoys excellent views, but we sought not to open the building fully to its scenery nor, for that matter, to entirely close it. Rather, we wanted to create a space that, while open, would have a degree of closure.

Hiroshi Nakamura & NAP

To this end, we gathered the service-related rooms in a central, reinforced-concrete core and arranged the visitor lounge and dining rooms around the core on a circular plan open to the exterior. Surrounding the building with a tranquil reflecting pool, resonant with nearby Lake Sayama, we located the parking and other miscellaneous functions out of view.

Hiroshi Nakamura & NAP

Finally, erecting a delicate ring of slender, solid steel pillars and beams, we placed a wood roof frame, as if floating, above it. The roof, with an eave height of 1.35m, is like a wide brim hat.
As a result, the building offers two different landscape views, depending on the user’s posture (sitting or standing).

Hiroshi Nakamura & NAP

For people standing, it is an introspective space for gazing on nature indirectly, in the reflections of sky and greenery in the pool, and in the pool reflections striking the ceiling. The large roof beams, descending to the exterior pool, induce visitors to move toward the windows.

Masumi Kawamura

There, a leather-upholstered bench is built into the wall under the window, and the visitors, in response to the lowness of the ceiling, unconsciously lower themselves onto the bench. The building thus tells visitors, “Sit and rest a while before you leave.” The moment they sit, the Sayama hills and forests come into view, under the eaves, and the city appears in the distance.

Hiroshi Nakamura & NAP

Outside, the community of the living presents a contrast with the quiet forest, where the deceased rest. Winds play on the green reflections in the pool. Inside, visitors feel enveloped in the gentle warmth of wood beams, close enough to touch. Lifting their head to follow the lines of the beams, they see the sky beyond tree-filtered sunlight. While absorbed in Sayama’s beautiful natural surroundings, they remember the deceased. In this space, the wood frame is always intimately near, guiding people in their behavior or, to the contrary, responding to it.