Lurbe住宅始建于1932年，位于地中海沿岸的传统渔区——卡巴尼尔社区。作家比森特·布拉斯科·伊巴涅斯（Vicente Blasco Ibañez）的住宅就在百米之外，具有由面向大海的爱奥尼克柱和女像柱构成的壮丽外廊，代表了首任业主的愿景。1939年西班牙内战结束后，布拉斯科·伊巴涅斯的住宅被征用并改造成长枪党的娱乐总部，而后经历无人居住、被遗忘和毁坏并于70年后重建；而Lurbe住宅在战后时期幸存下来，被反复居住、改造和使用。该项目在外阳台需求的基础上新建了附属建筑，将两栋房子的历史交织在一起。
Lurbe`s house was built in 1932 in the Cabanyal neighborhood, a traditional fishing district on the shores of the Mediterranean. Just 100 meters away, the house of the writer Vicente Blasco Ibañez with its imposing gallery of ionic pilasters and caryatids facing the sea, also represented the aspirations of its first owners. After the civil war in 1939, the house of Blasco Ibañez was expropriated, transformed into a recreational headquarters for the Falange, uninhabited, forgotten and demolished to be rebuilt 70 years later; Lurbe`s house, however, survived the postwar period thanks to the estraperlo. It was inhabited and re-inhabited, renovated, and worn by use. Starting from that desired exterior room, the project now adds and additional architectural layer, intertwining the history of both houses.
▼项目外观，exterior view ©Mariela Apollonio
房屋的后立面被拆除，外廊裸露了出来，它曾在历史上某个时间段被遮盖和封闭，现在被改造成可以使用和永久存在的外阳台，伸向阳光和空气，如同布拉斯科·伊巴涅斯的餐厅一样可以享受美好天气。
▼轴测分解图，exploded axon ©Abalosllopis architects
The demolition of the rear façade reveals what was the discovered gallery –covered and closed at some uncertain moment in its history-. It is now transformed into an exterior room that invites use and permanence, which extends towards the sun and the currents of air, taking advantage of the benign weather conditions as did Blasco Ibañez`s dining room.
▼阳台，the balcony ©Mariela Apollonio
▼阳光透过阳台洒进屋内，the sunlight pours into the house through the balcony ©Mariela Apollonio
▼由屋内望向阳台，the balcony from the interior space ©Mariela Apollonio
新的空间布局和元素将现在融入过去、将刻意融入偶然、将优雅融入日常。改造后的阳台窗户、重新安装的玻璃内门、浴室天花及天窗的丰富装饰隐藏了西班牙战后时期的秘密，与曾经用于支撑芦苇屋顶但现在裸露在外的木梁、入口新建的筒拱、反射西边阳光并使人如同置身地中海的瓷砖围栏共存。
The new sequence of spaces and elements, sews contemporaneity to the past, the deliberate to the accidental, and the refined to the everyday. The recovered balcony windows, the relocated glazed interior doors, the rich decoration of the bathroom ceiling and its skylight -which hides the secrets of the Spanish postwar period-, coexist with the now bare beams that once supported a reed roof, the new barrel vault of the entrance, or the glare of the ceramic latticework that reflects the western light, and transports us to the nearby Mediterranean Sea.
▼厨房，kitchen ©Mariela Apollonio
▼过厅，hallway ©Mariela Apollonio
▼走廊，corridor ©Mariela Apollonio
▼裸露的木梁与拱形元素，bare wooden beams and arched elements ©Mariela Apollonio
▼细部，details ©Mariela Apollonio
不管是小规模维修和翻新，还是新建，该项目通过重现房屋丰富的历史，将并非十全十美的品质融入到不完美的房屋中。时间拒绝了任何全球化概念的尝试，而手工慢活则将有形与无形汇成全新的整体。
The project introduces an imperfect quality to an imperfect house by reconstructing the house`s rich social history, not only from small rehabilitations and repairs but also entirely new works. Time refuses any attempt of a global conception. However, a slow handmade work brings together the visible and the invisible as a new whole.
▼阳台一瞥，a glance to the balcony ©Mariela Apollonio
▼区位图，location ©Abalosllopis architects
▼平面图，plan ©Abalosllopis architects
▼剖面图1，section 1 ©Abalosllopis architects
▼剖面图2，section 2 ©Abalosllopis architects
▼项目更多图片
