Lillehammer Art Museum and Lillehammer Cinema Expansion Snøhetta-卓美

C.Mark Syke

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架构师提供的文本描述。在完成对利勒哈默艺术博物馆的第一次扩建后的22年，Sn赫塔荣幸地再次扩大了这个项目，为艺术博物馆和邻近的电影院创造了一个整体的表达方式。艺术的整合在项目的各个方面都发挥着核心作用，从景观到项目，再到建筑本身。

Text description provided by the architects. Twenty two years after completing the first expansion to the Lillehammer Art Museum, Snøhetta is honored to expand the project yet again, creating a holistic expression for both the art museum and the adjacent cinema. Integration of art plays a central role in all aspects of the project, from the landscape to the program to the buildings themselves.

C.Mark Syke

Lillehammer Art Museum and Lillehammer Cinema Expansion Snøhetta-7

Axonometric

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C.Mark Syke

Lillehammer Art Museum and Lillehammer Cinema Expansion Snøhetta-12

利勒哈默艺术博物馆和利勒哈默电影院是1964年在埃尔林·维克斯乔设计的一座建筑中首次建立起来的，今天被认为是当时建筑风格的明确代表。1994年，Sn hetta完成了博物馆的扩建工程，建造了一座独立的建筑，力求将1960年代原始建筑的建筑语言与当代正式表达联系起来。现在，2016年，由Sn hetta设计的第二个扩建项目将现有的两家机构与新的展览大厅Weidemannsalen连接到博物馆，并将两家剧院和一座里尔哈默电影院(Lille锤Cinema)内部装修连接起来。

The Lillehammer Art Museum and Lillehammer Cinema were first established in an Erling Viksjø-designed building in 1964, which is considered today a definite representation of the architectural style of its time. In 1994, Snøhetta completed an extension to the Museum with the construction of an independent building that sought to bridge the architectural language of the original 1960s buildings and contemporary formal expression. Now, in 2016, a second Snøhetta-designed expansion connects the two existing institutions with the addition of the new exhibition hall Weidemannsalen to the Museum, and two theaters and an interior renovation to the Lillehammer Cinema.

C.Mark Syke

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博物馆的扩建是建立在一个透明的基础之上的艺术理念之上。新的空间里有一个地面儿童工作室，窗户从地板到天花板，坐落在一个悬臂式的大厅下面，大厅里包裹着一个充满活力的金属立面。通过博物馆的流通有了很大的改善，在艺术花园下面有了新的连接，增加了游客的体验。

The expansion of the Museum is created on idea of art hovering above a transparent base. The new space houses a children’s workshop at ground level with floor-to- ceiling windows and sits beneath a cantilevered hall wrapped in a dynamic metal façade. The circulation through the Museum is significantly improved, with a new connection below the art garden enhancing the visitor experience.

(Sn Hetta)

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第二层画廊致力于住房的利勒哈默艺术家雅各布魏德曼(1923-2001)的作品。画廊引人注目的金属包装反映了周围的环境，并改变了它的外观与光线。这幅外立面是已故挪威艺术家B rd Breivik(1948-2016)创作的，它在概念上植根于流星的雕塑理念，这是魏德曼对挪威绘画的重要贡献的戏剧性象征。该外观是由驱动，高度抛光不锈钢，浮雕约25厘米深。

The second story gallery is dedicated to housing the works of Lillehammer-based artist Jakob Weidemann (1923-2001). The gallery’s striking metallic wrapping reflects the surrounding context and changes its appearance with the light. The façade was created by late Norwegian artist Bård Breivik (1948-2016), and it is conceptually rooted in the sculptural idea of a shooting star, a dramatic symbol of the importance of Weidemann’s contribution to Norwegian painting. The façade is made from driven, highly polished stainless steel, with reliefs at approximately 25cm deep.

C.Mark Syke

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利莱哈默电影院增加了两个新的音乐厅，并更新了现有的流通空间。一个礼堂被整合在现有的建筑结构中，第二个礼堂位于两座现存建筑之间的艺术花园下面。入口外墙被更新，以补充原来的建筑风格，并带来了前面的墙壁与艺术结合的奥德坦德堡。关键的概念是把大厅作为电影院前广场的延伸，在城市和门厅之间建立一种更紧密的联系，就像维克斯约克最初想象的那样。有了这个，坦伯格在门厅的墙壁艺术再次成为城市的一部分。

The Lillehammer Cinema added two new auditoriums and renovated its existing circulation space. One auditorium is integrated in the existing building structure, and the second is located below the art garden, between the two existing buildings. The entrance façade is renewed to compliment the style of the original building and brings to front a wall integrated with art by Odd Tandberg. The key concept is to bring back the foyer as an extension of the plaza in front of the Cinema, creating a stronger connection between the city and the foyer, as Viksjø originally had imagined it. With this, Tandbergs wall art in the foyer is again part of the city.

(Sn Hetta)

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艺术、建筑和景观的结合是Sn hetta和Erling Viksj的作品的一个重要特征。1994年，当Sn hetta设计博物馆扩建项目时，大楼之间的空间被改造成一个艺术花园，这是该公司与艺术家B rd Breivik的第一次合作。对于最近的扩展，重要的是再次加强这些连接空间，将三个卷集中在一个完整的项目中。

The integration of art, architecture, and landscape is an important feature in both Snøhetta and Erling Viksjø’s work. When Snøhetta designed the museum expansion in 1994, the spaces in between the buildings were transformed into an art garden in the firm’s first collaboration with artist Bård Breivik. For the recent expansion, it has been important to again enhance these connecting spaces, bringing the three volumes together in one complete project

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