艺术介入乡村，尝试通过公共艺术的乡村实践建设美丽乡村、激活振兴乡村，为红色革命老区的社会、经济、文化发展赋能。受湖北美术学院工业设计学院、江西省甘祖昌干部学院及湖美贺诚副教授的邀请，孙丹丽工作室代表四川美术学院公共艺术学院，荣幸地参与到“设计筑梦红土地”的项目中。2021年中国共产党建党百年之际，将公共艺术作为连接先烈革命精神与岩背村村民日常生活记忆的媒介，传承红色革命精神，向革命先烈致敬！
art intervention rural,and we try to build a beautiful countryside, to activate and revitalize the countryside through the rural practice of public art.and to empower the social, economic and cultural development of the old revolutionary base areas.Invited by Associate Professor He Cheng of Hubei Institute of Fine Arts, Jiangxi Ganzuchang Executive Leadership Academy and Hubei Institute of Fine Arts.On behalf of the Public Arts Department of Sichuan Fine Arts Institute , Sun Danli studio is very honored to participate in the project of “Design Brings Dreams to the Red Land”.2021 is the time of the centenary of the founding of the Communist Party of China,and public art as the medium connecting the revolutionary spirit of the martyrs with the daily life memory of the villagers in Yanbei Village, inheriting the spirit of the Red Revolution and paying tribute to the revolutionary martyrs!
▼项目实景 Live picture ©郭月朦
莲花县既是中国红色摇篮的一部分，又是革命根据地的重要组成部分。在该地,老一辈无产阶级革命家在此留下了光辉的足迹。也是革命战士“甘祖昌”将军魂牵梦绕、为之奋斗一生的的家乡。
Lianhua County is not only a part of the red cradle of China, but also an important part of the revolutionary base areas.In this areas,many proletarian revolutionaries have left glorious footprints here.There is also the revolutionary soldier “Gan Zuchang” general struggle for the life of the hometown.
▼创作选址 – 莲花红军医院旧居 Creative Location ©郭月朦
选取村民家家户户都会用到的木头板凳为元素，以日常物的视角与村民建立故事，挖掘乡村红色记忆，将日常物放大的方式激活场所空间的历史回忆。
Selecting the wooden bench that every villagers will use as the elements to establish stories with the villagers from the perspective of daily objects,and dig the red memory of rural areas.Activating the historical memory of the space by amplifying daily objects.
▼创作动机-观念形成与转换 Creative Motivation ©郭月朦
流动红板凳引导党员村民群众把家家户户日常都有的红凳子搬到党群服务中心、搬到乡间地头、搬到百姓家里。推动党史学习交流走深走实。
Mobile red benches guide party members and villagers to move the daily red benches of every household to the party members’ service centers, the field and people’s homes.It will promote the study, exchanges and practice of party history .
▼创作动机-语义范式 Creative Motivation ©郭月朦
通过对村民日常物的在地创作将日常异常，通过艺术手法营造异化效果帮助村民们从日常审美过渡到艺术审美的一种柔性转换。
Through the local creation of villagers’ daily objects, the daily objects have become abnormal. We can create an abnormal effect through artistic techniques to help villagers transition from daily aesthetic to flexible transformation of artistic aesthetic.
▼创作动机 Creative Motivation ©李佳欣
“脚踏实地、四平八方、头顶天、脚踏地、做人就要顶天立地。”这就是板凳精神。正是在中国革命艰苦卓绝的千锤百炼中，中国共产党成为富有革命精神的伟大政党。迎着困难前进，在战胜困难中实现和完成自己的精神成长，不忘初心、牢记使命
“Be down-to-earth, in all directions, head up to the sky, foot on the floor, and be upright.”This is the spirit of the bench. It was in the arduous and arduous trials of the Chinese revolution.
▼寓意板凳精神 Showing Bench Spirit ©郭月朦
莲花红军医院旧居广场两侧的梯步作为创作空间，梯步代表乡间的梯田、自然、 生态。层层递进的梯步又代表着革命道路的艰辛曲折与坎坷多外，唯有中国共产党与人民团结一心、努力向上，人民才有生的希望。
The steps on both sides of the square of the former residence of the Red Army Hospital of Lotus were chosen as the creative space. The steps represent the terraced fields, nature and ecology of the countryside. The progressive steps represent the hardships and twists of the revolutionary road.
▼以梯步作为创作空间 The Steps Chosen as the Creative Space ©郭月朦
将村民家家户户的日常物木板凳作为设计元素，饰以红色。并通过解构重组的艺术手法将日常板凳异化河流，并在板凳与板凳之间加以甘祖昌将军的生平事迹节点作为时间记忆的串联，创作符合乡村美学审美的艺术作品。
The daily wooden bench of every villagers’ family as the design element, and decorated it with red.Through deconstructing and restructuring artistic techniques, the daily bench become abnormal river, and between the bench and the bench add the nodes of General Gan Zuchang’s life deeds as the series of time memory, to create art works in line with rural aesthetic.
▼创作方法 Creation Method ©郭月朦
我们根据从群众中来到群众中去的原则从农户家挨家挨户筹集我们的主材料——板凳。在搜寻板凳的过程中，有木工甘志林爷爷手打的60岁高龄凳，也有小朋友随手拿来的迷你凳。历经5小时36分48秒，顺利筹集到8条高凳，16条中凳，8条迷你凳……
We raise our main material — bench from every farmers on the principle that obtained from the masses.In the process of looking for benches, there were a carpenter’s 60-year-old benches played by grandpa Gan Zhilin, and a mini bench brought by children. After 5 hours, 36 minutes and 48 seconds. We have successfully raised 8 tall benches, 16 medium benches, 8 mini benches……
▼热心村民李柱林 Li Zhulin, Enthusiastic villagers ©孙丹丽工作室
板凳既是沿背村的日常生活之物也承载了革命先烈坚韧不拔的板凳精神生活记忆与革命记忆交织，贯穿着沿背村古往今来的点滴。通过寻凳的过程，我们，我们的作品与村民更亲密，这符合我们的初衷与预期。
Bench is not only along the daily items of the village, but also carries the revolutionary martyrs’ tenacious bench spiritual life memory was interwoven with revolutionary memory that through the history of village.Through the process of looking for benches.we, and our work is closer to the villagers, which is in line with our original intention and expectations.
▼作品细节 Details of the work ©郭月朦
为了营造剧场感并保留主材料的完整性，我们放弃切割板凳，转为从竖向到横向排放板凳；为了不破坏原场地，我们放弃了喷漆工艺，而选择将时间节点直接摆放呈现；为了保证板凳的肌理感，着以少量红漆，并保留了几根原始木色。
We quit cutting the benches and put the bench from vertical to horizontal that to create a sense of theater and retain the integrity of the main material; In order not to destroy the original site. We abandoned the paint process, and chose to put the time nodes to present directly; to ensure the texture of the bench, some benches were painted with red paint, and several original wood colors were retained.
▼陈列 Display ©郭月朦
▼上漆 Japanning ©郭月朦
红河记忆借助公共艺术在地创作的方式更新村落公共场域，板凳这一日常生活物将连接先烈革命精神与岩背村村民日常生活记忆连接起来，最终板凳成为岩背村的公共家具……
Honghe Memory updates the public field of the village through the local creation of public art. The bench is a item of daily life that connects the revolutionary spirit of the martyrs with the daily life memory of the villagers in Yanbei Village, and finally the benches become the public furniture of Yanbei Village……
▼村民参与作品 The villagers participated in the work ©郭月朦
