项目坐落于土耳其首都安卡拉，1998年Uygur Architects事务所赢得了Ted安卡拉大学校园建筑设计竞赛。该大学校园可容纳6000名学生，于2005年正式落成，并陆续开始教育活动。项目主持建筑师Semra Uygur与Özcan Uygur认为一个优质的校园应该如同一座小型城市，而教育生活就应如同城市生活，即使是在远离城市的地区，校园也应该为学生们创造出属于自己学院生活。因此，特德安卡拉学院的校园规划从功能布局、日常交通流线、室内外区域的多样性到实际使用过程中的需求都秉承了这一设计原则，堪称一座运行良好的小城市。
The project, which won the architectural project competition for the Ted Ankara College Campus with a capacity of 6000 students in 1998, was implemented in 2005 and educational activities have begun. Conceptualized and designed by Semra Uygur and Özcan Uygur, this campus is a city simulation accomplished adopting the principle that education should create its own urban life even if it is in an area remote from the city. As a result of this design principle, TED Ankara College Campus now operates as an actual city with its functional arrangement, the daily circulation routes designed considering the diversity of common indoor-outdoor areas, and the requirements emerged within the process.
▼校园整体鸟瞰，aerial view of the project © Cemal Emden
在校园规划的过程中，建筑师明确了公共活动空间在学生教育生活中的必要性，因此，设计了一个能容纳1500人的多功能表演艺术中心。最终，该中心以简洁有力的建筑语言完美融于校园环境，成为学生们青睐的活动场所。考虑到表演艺术中心可能会是今后校园中最受欢迎的地方，甚至促进学生之间甚至校园与社会之间的互动，因此，建筑师将其规划在运动艺术街的西南端，与整条运动艺术街道紧密相连。设计的独特之处在于：当人们走校园内的街道上时并不会注意到它，而当人们继续往校园内部探索时，却会惊奇地发现已经走入艺术中心之中了。
The campus in question needed a multi-purpose performing arts center with a capacity of 1500 people in the process and eventually the designers adopted the necessity of it to dissolve in the campus arrangement without any pretentiousness. The Performing Arts Center, which was decided to be articulated with the Sports-Art Street in the current campus plan, was placed in the southwest direction at the end of the Sports- Art Street, considering that it promises a use where social relations are perhaps the most publicized. The singularity of the building is aimed to be unnoticeable while moving on the inner street and care is taken to give the feeling that it was attached to the circulation route in the campus by itself.
▼总平面图，master plan © Uygur Architects
建筑与现有的街道相连，仿佛一开始就存在于此，如同好奇的眼眸与温暖的拥抱欢迎着人们的到来。街道变成了门厅，大面积的玻璃幕墙进一步增强了整个空间的开放感。虽然表演艺术中心是作为校园整体建筑群的延续而设计的，但是它却以一种低调却不失标志性的方式融入周边环境之中，该艺术中心作为校园的尽头，在空间与视线上为整个建筑群进行了完美的收尾。运动艺术街道尽头的露台，位于场地的西南方向，既可以作为开放的门厅使用，又为学生提供了一个多功能日落活动场所。设计旨在通过营造开放的空间体验彰显出建筑的独特性，并以富有诗意的方式将建筑与周边环境融为一体。
The building, which rises considering the image of an eye looking outwards and a hug inviting in, was articulated to the existing street as if it has always been there; the street has turned into a foyer and opened itself to the geography with a transparent finish. Although the Performing Arts Center is designed as a continuation of the overall building composition in the campus, it opens itself to the geography as the end of the campus in an understated but iconic way. It is both the eye and the hug. The terrace at the end of the Sports-Art street, where the eye and the hug images emerge, can also be used as an open foyer, and can be used for multi-purpose sunset events with its southwestern position. The design of the building gained identity by recreating the experience of the viewer under a top cover rather than the experience of the viewer in a closed space, and the necessity of maintaining its relationship with the existing topography poetically was adopted as a principle.
▼建筑与现有的街道相连，the project was articulated to the existing street © Cemal Emden
▼街道变成了门厅，the street has turned into a foyer © Cemal Emden
▼开放的空间体验彰显出建筑的独特性， building gained identity by recreating the open experience © Cemal Emden
在空间设计语言上，本项目延续了整体校园建筑的风格，使正交与欧几里德几何原则在建筑上得到了更加丰富与因地制宜的诠释。巧妙的设计将可容纳1500人的巨大长方体体块转化成富有雕塑感与节奏感的建筑体量。大厅的侧立面由不同倾斜度的三角面构成，阳光照射在木制立面上，随着一天内太阳角度的变化形成动态的光影游戏。
The spatial play in combining the orthogonal and Euclidean geometry used in the architectural language of the campus continued in this building, but it is customized. The large volume requirement, which is the result of the dense capacity of 1500 people, has been refined by the transformation of a rectangular prism into a sculptural form. The side facades of the hall are composed by triangulating at different angles, and the movements of light on the wooden facade surfaces perform light and shadow plays outside.
▼大厅侧立面，side facades of the hall © Cemal Emden
▼立面由不同倾斜度的三角面构成，The side facades of the hall are composed by triangulating at different angles © Cemal Emden
▼露台，terrace © Cemal Emden
▼立面细部，detail of the facade © Cemal Emden
大厅内部采取了古希腊剧场的形式，是项目中最重要的表演场地。扇形的平面与阶梯式的观演席，在充分利用地形高差的同时，使室内的可容纳座位数达到最大值。除此之外，还可以通过窗帘将大厅分隔成不同部分，例如小型喜剧表演剧场等，彰显出空间的多功能用途。
The hall, which emulates the ancient Greek theater, the most important performance venue, finds its own elevation by resting on the slope of the topography and collects the dense capacity by dissolving it in the volume with its fan-shape. In addition to the use with dense capacity, it can be divided for uses such as theater performances, converted into a smaller hall with curtains, acquiring a multi-purpose character.
▼大厅内部采取了古希腊剧场的形式，he hall, which emulates the ancient Greek theater © Cemal Emden
▼扇形的平面与阶梯式的观演席，fan-shaped plane and stepped auditorium © Cemal Emden
极具雕塑感的建筑形态加深了“眼眸”与“拥抱”的意向。随着人的视角与位置的不断变化，这种特别的空间体验不仅从室外，在大厅内部也能感受得到。因此，大厅四周的墙壁采取了透明玻璃幕墙的形式，进一步营造出开放的空间氛围。
This image of eye and hug, obtained by carving, is felt not only in the distant view, but also in the hall, and the relationship of the viewer with the geography is kept dynamic. For this reason, the hall becomes transparent on both sides and opens itself to the outside.
▼由室内也能感受到极具雕塑感的建筑形态，architectural form with a strong sense of sculpture © Cemal Emden
▼大厅四周的墙壁采取了透明玻璃幕墙的形式， the hall becomes transparent on both sides © Cemal Emden
▼平面图与剖面图，plan & section © Cemal Emden
Project size：9405 m2 Completion date：2020 Building levels：2 Architect：Uygur Architects Photo credit：Cemal Emden
